Judy Watson: Drawing on the Stone
This workshop aims to explore a range of drawing styles and mediums on lithographic stones, experimenting with the medium. Judy will work alongside the individual participants and suggest ways to translate your ideas and designs using these methods.
Drawing, composition, concepts and analysis of final works will be discussed.
Tusche washes, line drawings, tusche brush marks, rubbing ink, scratching back into the image, blocking out the image, transfer, monoprint techniques, crayon work, splatter and spray techniques will be demonstrated.
Printing techniques including chine colle’, multi-colour printing and registration may be used.
An all-inclusive print
In addition to you will be learning about Overlays and Colour Registration. On a large stone, each workshop participant is invited to do a small image that builds up to one image, hand inked in a different colour and run through at once, changing the small pieces of paper around so that each participant finally receives all the colours and a complete collaborative print to take home.
A note to participants: Please wear enclosed shoes, bring some source materials to the workshop. These could be examples of your own work, newspaper/magazine cuttings that take your interest, drawings etc. The stones will be pre-grained and gummed ready for the workshop. Two participants working to one stone, image size 22 x 32cm each.
Dates: 7th, 8th & 9th June 2014 (Public Holiday Monday 9th June)
Time: 9.am-4.30pm Sat, Sun & Monday
Location: Umbrella print Studio- entry via rear access (Enclosed shoes must be worn at all times)
Cost: PressNorth Printmakers members $140 non-members $180
All materials supplied
Judy Watson is an Indigenous artist whose matrilineal family is from country in north-west Queensland. She co-represented Australia in the 1997 Venice Biennale, was awarded the Moët & Chandon Fellowship in 1995, the National Gallery of Victoria’s Clemenger Award in 2006 and, in the same year, the Works on Paper Award at the 23rd National Aboriginal and Torres Strait Islander Award. In 2011 her exhibition waterline was exhibited at the Embassy of Australia, Washington, DC. Her work is held in major Australian and international collections including the National Gallery of Australia and all of the Australian State Art Galleries, Taipei Fine Arts Museum, St Louis Art Museum and USA, and British Museum, London as well as important private collections. She has exhibited widely over the past twenty years.
A major survey of works made from 1989-2003 was exhibited at the John Curtin Gallery, Curtin University, W.A. in 2003 and at the Institute of Modern Art Brisbane in 2004. A version of sacred ground, beating heart was toured by Asialink in 2004 Vietnam, Sri Lanka and the Philippines. It was also exhibited at the University of Queensland Art Museum, Brisbane and toured regional venues in Australia
She has received major public art commissions including wurreka (2000) a fifty metre etched zinc wall for the Melbourne Museum; walama forecourt (2000), a sculptural installation of woven steel screens and upturned bronze dilly bags at Sydney International Airport; ngarrn-gi land/law (2002), a fifty metre etched zinc wall at the Victorian County Court, Melbourne; heart/land/river (2004,) a large photographic and light piece on glass, installed in the foyer of the new Brisbane Magistrates Court; fire and water (2007), a bronze, granite, steel, reeds and sound piece installed at Reconciliation Place, Canberra. She is one of eight Indigenous artists commissioned to make work for the new Musée du Quai Branly in Paris (2006). In 2011 Watson designed a wall for the Queensland Institute of Medical Research.
In 2009 Watson was the University of Queensland’s artist-in-residence at the University’s Research Station on Heron Island. The residency resulted in an exhibition at The University of Queensland Art Museum in October 2010. The artist’s first major suite of etchings heron island suite was produced in 2009/2010 and was jointly published by the artist and grahame galleries + editions in Brisbane.
Images from heron island suite were used in the design of Judy Watson’s artwork on the exterior of the Tilt Train, which made its inaugural journey from Brisbane to Cairns on Friday 6 May 2011.
A new suite of etchings experimental beds will be released in February 2012.
Judy Watson blood language, a monograph by Judy Watson and Louise Martin-Chew, was published by The Miegunyah Press, Melbourne University Publishing in 2009.
Judy Watson is currently Adjunct Professor, Queensland College of Art, Griffith University.
Bookings Essential: email firstname.lastname@example.org Subject line: Att. Jo Lankester- Judy Watson workshop
Ph: Jo Lankester 0400626313